I typically use natural, biodegradable and/or sustainable site-specific materials to collaborate with (both human and more-than-human) communities, exploring biodegradable sculpture and land-based installation, natural processes and phenomena, experimental ‘line’ and ceremonious meaning-making, storytelling and ritual/song-based performance.

I work through the lenses of class, feminism, disability, climate hope and interspecies decolonisation, but I am influenced by a wide range of interdisciplinary practice and research, including: environmental philosophies and ethics, Permaculture practice, conservation science, local climate activism, foraging and growing, ritual and ceremony, indigenous cosomologies/Traditional Ecological Knowledge from my own Anglo-Irish ancestry, and my own direct experience of ‘listening’ to the Earth. There’s lots of things that feed my practice!